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Verse of April: Digital Anthology of Homage to the Poets

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74---> bailey & rukeyser

April 11, 2018

 

On the video's composition: 

This remix of poems draws from the verses I loved spanning girlhood, the looney bin of adolescence, and the ongoing project of womanhood. Growing up, I wanted poetry to be a mirror, to see myself in the sad, middle class verse of Theodore Roethke or Sylvia Plath. Or like, The Counting Crows. 

 

Bailey Morrison's Roethke

Bailey Morrison's Roethke


As a baby emo, Mark Danielewski spooked me real good with his coded, trippy shit in The Whalestoe Letters. It turned what looked like madness into a fucked up love story.

Bailey's Danielewski

Bailey's Danielewski

 


Then Muriel Rukeyser came at me with not one, but two "cunts" in the first three lines of "The Speed of Darkness." She was one saucy lady—confrontational and brave—and her voice is worth remembering during these bullshit times. As someone who has been afraid to speak out—particularly to men in power—I am "working out the vocabulary of my silence," trying to make good trouble while acknowledging that some of my sisters' voices are hoarse and tired.

 

"My Papa's Waltz"

by Theodore Roethke

 

The whiskey on your breath

Could make a small [girl] dizzy;

But I hung on like death:

Such waltzing was not easy.

 

We romped until the pans slid from the kitchen shelf;

My mother's countenance

Could not unfrown itself.

 

The hand that held my wrist

Was battered on one knuckle;

At every step you missed

My right ear scraped a buckle.

 

You beat time on my head

With a palm caked hard by dirt,

Then waltzed me off to bed

Still clinging to your shirt.

 

 

 

From Mark Z. Danielewski's The Whalestoe Letters

 Dearest man-child of mine,

 

No sign from you. Just days folding endlessly into more days. The cancer of ages. The knots of rain not reason. And no, aspirin won't help. Won't help. Won't.

 

My hands resemble some ancient tree: the roots that bind up the earth, the rock and the ceaselessly nibbling wordms [sic].

  

But you are too young for trees to know

anything of their lives. Oh what a crippled

existence 900 years must lead.

 

I am truly

only yours

 

 

From Muriel Rukeyser's "The Speed of Darkness"

Resurrection music,     silence,      and surf

 

No longer speaking

Listening with the whole body

And with every drop of blood

Overtaken by silence

 

But this same silence is become speech

With the speed of darkness.

 

Between        between

the man : act     exact

woman : in curve   senses in their maze

frail orbits, green tries,      games of stars

shape of the body speaking its evidence

 

I look across at the real

vulnerable      involved     naked

devoted to the present of all I care for

the world of its history leading to this moment.

 

Ends of the earth join tonight

with blazing stars upon their meeting.

 

 

Time comes into it.

Say it.      Say it.

 

The universe is made of stories,

not of atoms.

  

I am working out the vocabulary of my silence.

 

My night awake

staring at the broad rough jewel

the copper roof across the way

thinking of the poet

yet unborn in this dark

who will be the throat of these hours.

No.        Of those hours.

Who will speak those days,

if not I,

if not you?

 

 

The poetry that keeps me going now has to have a beat. So because I'm pretty sure nobody will go fuck with Muriel Rukeyser, I'll recommend modern poet Princess Nokia:

 

People did me they dirt when I sat and did work

They just tryna take my picture, they don't care 'bout my worth

But I'm still gon' pray, enemies every day

'Cause it's really up to God come judgement day 

 

 

________________________________________________________________________________

bailey morrison for verse of april.jpg

Bailey Morrison does digital marketing for the University of Texas Press, a job which allows her to make Pablo Neruda Mad Libs. She tells stories at tinyletter.com/porch-slurs. Give her a clap or two at medium.com/@morrison.bailey. All things will be made clear, one day, on baileymorrison.com.

In 2018 Tags poetry remix, theodore roethke, sylvia plath, counting crows, verse of april, mark danielewski, whalestoe letters, love story, madness, muriel rukeyser, cunt, The Speed of Darkness, brave, woman writer, women writers, speak out, vocabulary, silence, bailey morrison, writer, university of texas press, austin, pablo neruda mad libs
Kelly Grace Thomas--Verse of April.jpeg

68---> kelly grace & smith

April 5, 2018

 

Name: Kelly Grace Thomas

Hometown: Long Beach Island, NJ

Current City: Los Angeles, CA

Occupation: Manager of Education and Pedagogy for Get Lit- Words Ignite, as well as poet, editor, and author

 

What does poetry mean to you? 

Poetry, for me, is distilled into two entities, emotion or experience. We turn to poetry to wrangle or wrestle with emotions. We also turn to poetry to understand experience. To examine and create conversation with what life has give us. Ocean Vuong said, “Poets survive by looking.” Poetry is the lense in which the world, ourselves, light and darkness blur or come into focus. Either way it is a poet’s words and attention that give it shape.

 

Favorite Poet:

Patricia Smith. Hands down. I learned so much about language and surprise by studying Patricia. She is a master at making it fresh. Every time I lean into one of her ripe metaphors, her similes with teeth, I think, language has never bit me like that before. Words have never shocked me in such a way. She is also a master of form, dancing with ghazals and sestinas. And inside these structures she turns language and turns us, until the reader is inside out. I also love that Patricia writes with an urgency, an earthquaking expression, as if to say look, pay attention. Now.

I really love all her work but particularly the book Blood Dazzler. I grew up spending a lot of time on my father’s boat in Florida. It seems we were always outrunning a hurricane. There was always a storm breathing down my neck. I began to think of them as characters. I have always been fascinated how Patricia wrote a book about Hurricane Katrina, from multiple points of view, including the voice of the hurricane.

Why do you like this collection?

I am a sucker for metaphor. I love the way Patricia brings in the voice of Hurricane Katrina through metaphor. “I become /a mouth, thrashing hair, an overdone eye. /How dare the water belittle my thirst.”  She creates a voice that is in charge and taking no shit. The storm is there, hungry for power, demanding worship. I just love how we can see the transition from the need for attention to destruction. This poem also contains one of my favorite lines of all time, “Every woman begins as weather.” The idea of every woman beginning  as storm or sunshine, waiting to gather, fascinates me. It is a fresh and honest connection to emotion and mothering.  It also ties us to the beauty and danger of mother earth.

 

 "5 P. M TUESDAY AUGUST 23, 2005"

by Patricia Smith

 

“Data from an Air Force reserve unit reconnaissance aircraft...along with observations from the Bahamas and nearby ships….indicate the broad low pressure area over the Southern Bahamas has become organized enough to be classified as tropical depression twelve.”

-NATIONAL HURRICANE CENTER

 

A muted thread of gray light, hovering ocean,

Becomes throat, pulls in wriggle, anemone, kelp

widens with the want of it. I become

a mouth, thrashing hair, an ovedone eye. How dare

the water belittle my thirst, treat me as just

another

small

disturbance,

 

try to feed me

From of the bottom of its hand?

 

I will require praise,

Unbirdled winds to define my body.

a crime between my teeth

because

 

every women begins as weather,

sips slow thunder, knows her hips. Every woman

habors a chaos, can

wait for it straddling a fever.

 

For now,

I console myself with small furies

those dips in my dawning system. I pull in

a bored breath. The brine shivers.

 

________________________________________________________________________________

 

Kelly Grace Thomas is the winner of the 2017 Neil Postman Award for Metaphor from Rattle, a two-time Pushcart Prize nominee and a Best of the Next nominee. BOAT/BURNED, her first full-length collection, is forthcoming from YesYes Books. Kelly’s poems have appeared or are forthcoming in: DIAGRAM, Tinderbox, Nashville Review, Sixth Finch, Muzzle, PANK and more. Kelly currently works to bring poetry to underserved youth as the Manager of Education and Pedagogy for Get Lit-Words Ignite. She is also the co-author of Words Ignite: Explore, Write and Perform, Classic and Spoken Word Poetry (Literary Riot). Kelly was a 2016 Fellow for the Kenyon Review Young Writers Workshop. She is the founder of FeministWrites, a creative collective that connects and champions feminist voices. She is currently a reader for Tinderbox Poetry Journal. She lives in Los Angeles.

 

In 2018 Tags patricia smith, kelly grace thomas, long beach island, Los Angeles, education and pedagogy, Get Lit-Words Ignite, Poetry, verse of april, emotion and experience, Ocean Vuong, Blood Dazzler, Hurricane Katrina, women, weather, florida, ghazals, sestinas, metaphor

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